It is a two-tone
It is two woulds:
one high, one low.
and too many
coulds and shoulds.
It is a grain of sand,
a small glistening
that sticks in
the throat of
the muscle, a
piece of what
it must become, a
shard of what it
never was, a speck
in the eye of
a gray sky,
the color of lead.
Keepin' the "Po" in NaPoWriMo....
And we are looking at things that we do not want to look at…
by Carolyn Forché
WHAT YOU HAVE HEARD is true. I was in his house. His wife carried
a tray of coffee and sugar. His daughter filed her nails, his son went
out for the night. There were daily papers, pet dogs, a pistol on the
cushion beside him. The moon swung bare on its black cord over
the house. On the television was a cop show. It was in English.
Broken bottles were embedded in the walls around the house to
scoop the kneecaps from a man's legs or cut his hands to lace. On
the windows there were gratings like those in liquor stores. We had
dinner, rack of lamb, good wine, a gold bell was on the table for
calling the maid. The maid brought green mangoes, salt, a type of
bread. I was asked how I enjoyed the country. There was a brief
commercial in Spanish. His wife took everything away. There was
some talk then of how difficult it had become to govern. The parrot
said hello on the terrace. The colonel told it to shut up, and pushed
himself from the table. My friend said to me with his eyes: say
nothing. The colonel returned with a sack used to bring groceries
home. He spilled many human ears on the table. They were like
dried peach halves. There is no other way to say this. He took one
of them in his hands, shook it in our faces, dropped it into a water
glass. It came alive there. I am tired of fooling around he said. As
for the rights of anyone, tell your people they can go fuck them-
selves. He swept the ears to the floor with his arm and held the last
of his wine in the air. Something for your poetry, no? he said. Some
of the ears on the floor caught this scrap of his voice. Some of the
ears on the floor were pressed to the ground.
by Patrick Cotter
Now is before he is born. Days of air
shaken by bees, crow song probing eaves
and quays. Maker of the future a perfect
terra-cotta tense, a tense which sings.
The absence of push in his education
was unpresaged by the door’s lack of wired
Sesame. He waits and waits for egress.
The door needs only his touch.
Its only desire is to swing. He waits
for it to open itself, as the cloud
opens for the melting press of the sun.
He is ready to rot where he leans, leaving
a breeze-blown blemish long after he has arrived.
Long before he has come into being.
Introduction to Poetry
by Billy Collins
I ask them to take a poem
and hold it up to the light
like a color slide
or press an ear against its hive.
I say drop a mouse into a poem
and watch him probe his way out,
or walk inside the poem’s room
and feel the walls for a light switch.
I want them to waterski
across the surface of a poem
waving at the author’s name on the shore.
But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.
They begin beating it with a hose
to find out what it really means.