A death of memory poem

 





I have been thinking about the
writing of death poems. How this 
practice can prepare one for the 
inevitable. I had intended to write
a death poem on the forty-seventh
anniversary of my birth (the beginning,
I thought, of a new annual tradition) but 
I did not. Instead, I seem to have written 
a death of memory poem, something 
that I believe I must fear even more 
than death itself at this time in my life,
though this is probably only because
I have not come close enough to 
death while the death of memory is 
a thing that I have known closely for
quite a long time. So here is my
death of memory poem. Perhaps,
by its writing, I will be made ready.







Let my poems be a hedge between
my self and the loss of my memories,
a palliative against or a salve for the 
wounds that I saw on my father’s face, 
that I now have seen on my own face, 
that same face when I look in the mirror.







My memory is gone.  It is a broken 
thing beyond fixing that will just run 
down and down over time. But maybe 
these words, these poems will give me 
something that my father never had, 
something that he never knew how 
to find on his own, something that I 
do not know that I know how to find
on my own and yet still I search and 
yearn for—a changing of the heart, 
a look in this mirror, a softening of 
the self (hard, hard thing that we
make within us, our myriad actions 
and phenomena uncountable that 
we cling to, these never-ending 
evanescent folds in the cortex 
of time, these simple tricks we 
use to try to woo security to sit 
at the table with us, to say to us
that we are we but not alone
and yet somehow still solitary…).







Perhaps I can find this thing 
for both of us, my father and
I, though he is long past finding
and I find my self searching still.







Perhaps, if my memories must leave 
me (and it seems that they will) I can 
have them replaced with poems.  
If my memories are to be dislodged,
if they are to fall to the wayside, 
I would rather have poems in their places 
than just more fears of losing more memories.







What is the self but a bag full
of memories that we cannot 
put down? Though we are
boarding a train to a place 
of no things and we stand
ultimately alone on the platform
and the bag is full of useless things
and our arms are already full of all 
the things the world has given us
that we did not want or need or ask for,
still, we cannot put it down.







I want to be able to put it all 
down. When the time comes, I 
want to be able to board that 
train with empty hands. Let me
board it with empty hands, alone.











NaPoWriMo / NaPoREADMo — Days 20, 21,22, & 23 — The “Missing” poems


(Four-for-one today, because I have been Presently Absent or Absently Present or....
well...Missing...and I may come up Missing again.  Anyone who actually listens to all
four gets a cookie...and my undying....umm...curiosity?  Awe?  Stupefaction?)



Missing, part 1

How many times did you wake up
in the night, find an empty cup
and wonder where your mind used to
be, your self alone and just you
in the bed, and just the one bed
with unfamiliar sheets, your head
on a strangely scented pillow?

I would have brought her there, you know,
for you to hold, and not for me.
You needed her more.  I can see
that now.  I would have stood close by,
just a ways, and averted my
gaze; let you have your time alone
as I tried not to turn to stone.





Missing, part 2

I wonder--did those strange scents jar
your memories and dreams toward
unseen collisions with silence,
that wrong kind of quiet made dense
with soft specific sounds that spell 
a place far deeper than our well-
used alphabet of ancient objects?  

Our limbic world just disconnects
over time.  Our temporal selves
get disheveled.  Cerebral shelves
do not suffice any more.  We
strive to hold things in place, but see
only place-holders and when age
eats worlds, the words fall off the page.





Missing, part 3

Do you feel the rain where you are?
Is there water there in the far
reaches of memory? Does time
fall through the air, like brittle rime
crusting the sea? Is this weather?
Tenuous shifts of the tethers
that tie us, each to our own place?

I stand in the rain, raise my face
to the falling sky as my sight
becomes a part of the pale light
that is left to us, and wonder
how we can all be so sundered
and still hold together all this
madness, beauty and darkness.





Missing, part 4

Are your words still with you?  Did you
carry your stories deep into 
the night and leave them like luggage
on a railway platform, an age
and more down silver tracks, with just
the wind, the stars, and leaves like dust
blowing and hissing in the dark?

This silence leaves a fading mark.
The thing that took you left your face
in bodies unknown to you, lace
filaments tracing what the eyes
of others cannot see: the ties
that generation takes away;
the look in eyes that cannot stay.














Missing (part 4)


Are your words still with you?  Did you
carry your stories deep into 
the night and leave them like luggage
on a railway platform, an age
and more down silver tracks, with just
the wind, the stars, and leaves like dust
blowing and hissing in the dark?

This silence leaves a fading mark.
The thing that took you left your face
in bodies unknown to you, lace
filaments tracing what the eyes
of others cannot see: the ties
that generation takes away;
the look in eyes that cannot stay.





Missing (Part 3)

Part of a series.  Not necessarily in any order.
Part 1 can be found here.
Part 2 can be found here.

What my friend Jeremy, of The Sand County, calls “boundary work.”  Flirting with the edge of meaning, loss and memory.

————————————————————————-

Do you feel the rain where you are?
Is there water there in the far
reaches of memory? Does time
fall through the air, like brittle rime
crusting the sea? Is this weather?
Tenuous shifts of the tethers
that tie us, each to our own place?

I stand in the rain, raise my face
to the falling sky as my sight
becomes a part of the pale light
that is left to us, and wonder
how we can all be so sundered
and still hold together all this
madness, beauty and darkness.

Missing (part 2)

[a series I have been working on]
[part one can be found here]




I wonder--did those strange scents jar
your memories and dreams toward
unseen collisions with silence,
that wrong kind of quiet made dense
with soft specific sounds that spell 
a place far deeper than our well-
used alphabet of ancient objects?  

Our limbic world just disconnects
over time.  Our temporal selves
get disheveled.  Cerebral shelves
do not suffice any more.  We
strive to hold things in place, but see
only place-holders and when age
eats worlds, the words fall off the page.








Missing (part 1)

[from a series I have been working on]




How many times did you wake up
in the night, find an empty cup
and wonder where your mind used to
be, your self alone and just you
in the bed, and just the one bed
with unfamiliar sheets, your head
on a strangely scented pillow?

I would have brought her there, you know,
for you to hold, and not for me.
You needed her more.  I can see
that now.  I would have stood close by,
just a ways, and averted my
gaze; let you have your time alone
as I tried not to turn to stone.







...no, I'm not "Missing part 1"...
...this is "part 1 of 'Missing'"...
...puttin' the Po' in NaPoWriMo...